By adhering so much to its grand formula, Heaven and Earth comes off as even more cumbersome than The Epic.
The Now Now is a pleasant mood album while it’s on—especially in comparison to Humanz—but it’s still relatively low-impact.
Sorry to run with the obvious music critic quip, but it is pretty hard to hear what’s so redeeming about Redemption.
Scorpion continues Drake’s streak of projects that have been padded out to oblivion.
The level of artistic freedom Trent and Atticus give themselves on the somewhat uneven Bad Witch is more exciting than just about any Nine Inch Nails release since 2008.
Freddie Gibbs’ eponymous mixtape mostly finds the rapper spinning his wheels.
For the most part, Rico Nasty’s, well, nasty persona is enough to carry this breakthrough album. Just hoping she can show a bit more versatility on future projects.
Though structurally jarring, SOPHIE’s full-length debut is an unforgettable and potentially DNA-altering pop album.
On most tracks, not even Kanye’s excellent production is enough to save Nasir from Nas himself.
