Beware of the Dogs is a solid indie rock and pop album thanks to Stella Donnelly’s songwriting personality, though she’s still finding her voice.
Flume’s full-length followup to 2016’s Skin takes a very welcome turn for the experimental.
Even after 25 years, Matmos is creating some of the most fun and inventive electronic music you’ll hear in your life.
It’s hard not to nod in agreement with what Dave’s saying throughout Psychodrama, but generic instrumentals and humdrum flows don’t translate many of his good points into captivating songs.
Though it occasionally suffers from overambition, the jazzy I Also Want to Die in New Orleans is another helping of admirable personal and social commentary from Mark Kozelek.
Though GREY Area isn’t the most cutting-edge rap album out there, there’s not a spot on it where Little Simz falters even slightly.
While more worthwhile than Foals’ last few albums, this first half of Everything Not Saved Will Be Lost doesn’t arouse too much excitement for Part 2.
With Mazy Fly, Spellling stands out as one of Sacred Bones’ most exciting musical prospects.
Death Race for Love delivers plenty of quality emo raps before succumbing to long album syndrome.
Weezer’s Black Album resumes the band’s nosedive.
