Father of 4 is at least the best of the Migos solo albums.
Songs for the Firing Squad is a relentless roller coaster of aggression and absurdity.
The first leg of Drip or Drown 2 is tolerable thanks to its aquatic aesthetic, but the album quickly devolves into mega-formulaic trap rap devoid of any character.
Harverd Dropout sounds more refined and slicker than its self-titled predecessor, but is all the worse for it.
Czarface Meets Ghostface finds everyone besides 7L punching below their weight.
Quiet Signs is a meager helping of Jessica Pratt’s pretty and subtly psychedelic style of folk songwriting.
10 years on from its initial release, Drake’s breakthrough mixtape remains a mixed bag, albeit a somewhat groundbreaking one.
Xiu Xiu delivers what might be its most adventurous and harrowing album to date… which is saying a lot.
While much of your enjoyment of Electric Lady Sessions will depend on your enjoyment of American Dream, that material does benefit from the more in-the-moment sound here.
Panda Bear’s latest solo outing sees his psychedelic brand of surreal folk submerged under an ocean of cascading delays and nautical vibes.
