On Boris’ latest albums, the band seeks to simplify their sound a bit. While they have made their style a little more accessible–especially on Attention Please–I don’t think it’s translated into something that’s exactly catchy or memorable. Still, there are some pretty heavy moments on
album review
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If my son had made this album, I’d say this: “This is a strong debut, son. Strong debut.” WATCH THE REVIEW
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This Will Destroy You’s latest LP starts and finishes with flying colors, but it gets a little underwhelming in the middle for me. Hearing the band revisit old sounds, work with an odd drum mix, and working with similar structures throughout this album make me rethink my original love
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On their sophomore album, Australia’s the UV Race brings garage rock to a dirtier and grimier level than most. The band’s loose song structures and loose playing bring a lot of, well, “character” to these recordings. There are flubbed notes everywhere, and it’s all for the sake
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On hit latest release, Amon Tobin isn’t building songs as much as he is sounds. The textures on most of this album are absolutely amazing, and among the best this Brazilian electronica producer has ever created. I love how abstract, adventurous, and mind-bending the first two thirds of this
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On his debut full-length, Outmind, Matthewdavid flips through his sketchbook of ambient drones and blurred beats, picking out the best stuff he’s got to offer so far. While he does pull some fantastic sounds together, and issue I find myself running into is the brevity of some of these
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On the band’s latest album, Manchester Orchestra seems to lose of a lot of the passion and rock ‘n’ roll momentum that have made their last two LPs pretty decent. They’ve exchanged this for some relatively heavier production and string arrangements. In my opinion, it wasn’t that
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Turtleneck and Chain has some pretty memorable tacks on it, to be honest. Some of these might be the best this comedy rap outfit has ever penned. “I Just Had Sex” has already blown most of their other videos away on the view count, and the title track is a
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Wild Beast’s Smother shows the band toning things down, and making a sound that comes off eerier than the material on their previous two albums. Though this LP still holds some of the grooves their last albums did, the songs here carry a much more serious tone–maybe too
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