2022
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For the first time definitely wasn’t a fluke.
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AnCo’s first album as a quartet in nearly a decade is a mostly lovely return to form.
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What Marchita has in concision it also has in beauty and emotional potency.
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Krallice’s most ambitious record since Years Past Matter.
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The Gods We Can Touch is certainly a listenable pop album, but its eccentricities mostly amount to window dressing.
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While Yard Act’s music could use more variation and its commentary some sharpening, The Overload is a promising start for the group.
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Y’know, sometimes you do be feeling fancy like.
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Despite Cordae’s now elevated perspective, Birds Eye View offers a bit less food for thought than his debut.
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