2015
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After a couple reputable albums of the post-hardcore persuasion, Title Fight decides to shoot for a dreamier, hazier, more apathetic sound.
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Marilyn Manson releases one of his most personal and a intimate records yet with The Pale Emperor.
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With redundant instrumentals and forgettable vocal melodies, much of the new Panda Bear record is too drab for words.
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Sleater-Kinney is back with a new record after ten years of studio album silence.
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Viet Cong picks up the pieces left in the demise of Women, and pulls together some great–but very similar–material on their self-titled release here.
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Death Grips builds up to the release of it’s supposedly final album with an LP of instrumentals.
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https://soundcloud.com/polyvinyl-records/the-dodos-competition-2/s-WHF19#t=0:00 Indie-rock duo The Dodos have had a nice little trajectory, breaking through with their second record, Visiter, and following that up with nicely produced variations on their themes, with slightly hit-or-miss results: 2009’s Time to Die was a little forgettable,
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Stream: José González – “Every Age” Swedish singer-songwriter José González hasn’t released a solo record since 2007’s lovely In Our Nature, but he hasn’t stayed completely silent. He has released two records with his band Junip, which are certainly worth looking into. But now he’s back on
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This is not a drill. Famed Olympia, WA indie punk rock Sleater-Kinney are back! Returning with their first new record since 2005’s amazing The Woods. After the release of that record, the band went on “indefinite hiatus” and we all wept collectively as the prospects of their reunion appeared
