vlog
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On the band’s sophomore album, Touche Amore generates some of the most empowering emotional hardcore I’ve heard in years. Yeah, the lyrics do make mountains out of emotional molehills, but the punk spirit powering the music is the same that made classics in this genre so, well, enjoyable.
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On its latest album, Zombi throws guitars and bass to the wayside, and brings the focus back to the duo’s foundation: drums and synths. It might just be the direction longtime fans wanted after the extremely rock-oriented Spirit Animal. WATCH THE REVIEW
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On the Horrors third LP, the primary colors that combined to created the band’s eccentric brand of post-punk start to fade a little bit; however, I think the move is sort of intentional. Rather than sticking to their guns, the band is moving in a decidedly psychedelic and atmospheric
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Washed Out’s debut LP definitely brings a comparative change from the project’s early EPs. I guess my issue is that the change just isn’t enough to make me wanna stick with this album over previous efforts. There are flashes of progression and ambition here and there, but
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Limp Bizkit’s new album is VEGAN SHAKE, HUMMUS, CHIPS, CARROTS, PEANUT BUTTER, RAISINS, SALAD, ITALIAN DRESSING, POMEGRANATE JUICE, CHOCOLATE ALMOND MILK. WATCH THE REVIEW
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Ulcerate’s latest album might not hit the spot for fans of the New Zealand group’s more hectic material, but it definitely resonated with me. The relentless drumming and dissonant guitar passages create an ugly atmosphere that’s ever-evolving. These guys display an extreme level of technical precision on
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France’s Herman Dune has come correct with another batch of light, breezy indie folk tunes that make for a perfect summer listen. Like always, the band’s frontman, David, brings these songs to live with his approachable voice and personality. To me, some songs really do pale in comparison
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This is a rare and secret review most people will never understand. If you guys start a flame war in the comments, you really have learned nothing. WATCH THE REVIEW
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On Sam Baker’s Album, Samiyam pulls together some pretty great grooves and sounds. My problem is not much of it moves or develops into anything interesting. This release is more like a sampler of various atmospheres this L.A. producer can create, and that’s fine. Maybe it’ll
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On Black Up, Shabazz Palaces take hip hop deep into the left field with odd beats and surreal effects. It’s definitely an indulgent LP that requires a little bit of effort from the listener, but repeating these songs until they completely unfold is worth the wait. Part of me
