vlog

  • The Men’s latest album, Leave Home, has some pretty abrasive, heavy, and eye-widening production on it. This straight-to-tape recording features some great guitar distortion: and the total package is so thick and saturated, it makes this album an extremely heavy and overbearing experience. Another breath of fresh air here

  • I didn’t find Girls’ sophomore LP to be as instantaneous, well-produced, or fun as the California band’s debut, but there’s still a great set of tracks here–not to mention a load of ambition in the extra instrumentation. I totally respect the fact that these guys have

  • Dan Barrett’s latest project, a full-length album and book, is both a personal and fictional exploration of death, suicide, depression, and the afterlife. Because of that, this video takes a look at both the music and the book that comes with this package. If anything makes the tracks on

  • Active Child’s sophomore release has some pretty haunting and beautiful sounds. Lone member Pat Grossi’s choir boy falsetto is undeniably good. Plus, all the effects he laces into these tracks makes this LP an interesting listen. While I’m not in love with every song on this LP,

  • On her sophomore album, Chelsea Wolfe brings together ten pieces of straight up darkness. But what makes the dreary, depressing feelings on this album so palatable is that Wolfe attacks this darkness from multiple angles with noise rock guitars, doom metal riffs, ambient soundscapes, smooth beats, and blood-curdling snarls. While

  • For me, Beirut’s new album is a small step back from the Flying Club Cup and the March of the Zapotec EP that preceded it. I was sure all this waiting would result in something bigger and better, but the ambition needed for that doesn’t surface on the