vlog
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On a new, collaborative EP, Detroit hip hop artists Black Milk and Danny Brown team up and prove their city isn’t the only thing they have in common. WATCH THE REVIEW
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On the sophomore Justice album, this French house duo starts emulating its influences–70s rock, pop, disco–with a mix of different results. WATCH THE REVIEW
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On the Field’s latest album, it’s business as usual for this Swedish minimal techno producer, which isn’t necessarily a bad thing. WATCH THE REVIEW
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Tom Waits’ latest album, rather than showing a new side to the eccentric singer-songwriter, it somewhat of a retrospective, revisiting the numerous sounds that have made this guy so “bad” for all these years. WATCH THE REVIEW
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On M83’s latest album, indie dance and synth pop sounds are pumped up and glossed out until they reach almost unrealistic proportions. Not only that, but these ideas are stretched out to a double album length. WATCH THE REVIEW
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Combining elements of footwork and synth-heavy soundtrack music, Kuedo–a.k.a. Jamie Vex’d–is taking a break from dubstep to bring two different worlds together. WATCH THE REVIEW
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Texas’ Absu puts together an intense combination of black metal and thrash on its latest album, Abzu. WATCH THE REVIEW
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On Civil Civic’s debut album, the duo has backed up its past singles with new material, and made a move to revamp drum machine rock. WATCH THE REVIEW
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On her latest album, Metals, Canadian singer-songwriter Leslie Feist brings a set of songs that feel much older than the tracks that were on her last album, the Reminder. That album was released only four years ago, but Metals‘ dreary, grey aesthetic makes the distance between these two albums feel
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Dead End Hip Hop and the Needle Drop team up once again for a review. This time, it’s focused on the new Mr. Muthafuckin’ eXquire mixtape, Lost In Translation. Here’s the description from Dead End Hip Hop’s YouTube channel: “Brooklyn MC Mr. Muthafuckin’ Exquire is starting to
