vlog
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On their latest album, the Black Keys stick to their guns, which is probably going to be a plus for hardcore fans. Unfortunately, seven albums in, it just feels a little formulaic, in my opinion. WATCH THE REVIEW
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Comet Gain doesn’t sound too unlike your average indie rock group, but they manage to lace their songs with some extremely memorable hooks and passionate vocals. Even though it’s nothing new, it’s difficult for me to deny. WATCH THE REVIEW
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On Oneohtrix Point Never’s latest album, producer Daniel Lopatin casually saunters into the field of sample-based music, and kicks total ass. WATCH THE REVIEW
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The new Red Horse album is a little front-loaded, but it still showcases some pretty intriguing noise and free improvisational sounds. WATCH THE REVIEW
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On Yelawolf’s latest album, the Alabama rapper makes his Shady Records debut with a commercial release whose results are a bit mixed. WATCH THE REVIEW
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The Spits’ latest self-titled release continues to slowly develop the band’s distorted, grimy take on the art of punk rock. WATCH THE REIVEW
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On this debut mini-LP from the Log.Os, this new project creates a spacey, futuristic link between soul, dowtempo, R&B, beat music, and electronica. WATCH THE REVIEW
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After a series of mixtapes I casually enjoyed, Mac Miller’s sound gets sweeter on his full-length debut, Blue Slide Park. WATCH THE REVIEW
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While Wale’s latest album doesn’t feature anything terrible on its hour of material, I couldn’t help but feel a little underwhelmed. WATCH THE REVIEW
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Aside from a few new sounds, Crystal Stilts really hasn’t progressed its sound past In Love With Oblivion. But for fans, that may not necessarily be a bad thing. WATCH THE REVIEW
