video review
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On their latest album, the Strange Boys leave most of their garage rock elements behind in favor of a style that’s got more in common with blues rock and alternative country. Surprisingly, it’s a smooth transition. WATCH THE REVIEW
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Together, Lou Reed and Metallica come up with an album that, well, isn’t as terrible as everyone assumed it would be. In my opinion, anyway. WATCH THE REVIEW
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On a new, collaborative EP, Detroit hip hop artists Black Milk and Danny Brown team up and prove their city isn’t the only thing they have in common. WATCH THE REVIEW
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On the sophomore Justice album, this French house duo starts emulating its influences–70s rock, pop, disco–with a mix of different results. WATCH THE REVIEW
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On the Field’s latest album, it’s business as usual for this Swedish minimal techno producer, which isn’t necessarily a bad thing. WATCH THE REVIEW
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Tom Waits’ latest album, rather than showing a new side to the eccentric singer-songwriter, it somewhat of a retrospective, revisiting the numerous sounds that have made this guy so “bad” for all these years. WATCH THE REVIEW
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On M83’s latest album, indie dance and synth pop sounds are pumped up and glossed out until they reach almost unrealistic proportions. Not only that, but these ideas are stretched out to a double album length. WATCH THE REVIEW
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Combining elements of footwork and synth-heavy soundtrack music, Kuedo–a.k.a. Jamie Vex’d–is taking a break from dubstep to bring two different worlds together. WATCH THE REVIEW
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Texas’ Absu puts together an intense combination of black metal and thrash on its latest album, Abzu. WATCH THE REVIEW
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Being an “iPad album,” the new Björk LP feels like a bit of a soundtrack. Am I surprised? No. But I was happy to find there was a good handful of gorgeous tracks placed on this thing. WATCH THE REVIEW
