video review
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Connecticut rapper Apathy brings a modern feel to the classic sounds of East Coast hip hop on his latest album, Honkey Kong. Though this LP doesn’t experiment or step over any major boundaries, it does come with a lot of consistency, quotable lyricism, and solid beats. Despite a few
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Detroit rapper Danny Brown’s latest album functions in extremes. They’re not really the angry, voluminous extremes the latest Death Grips album functions on. They’re more like extremes of excess. Of course, what Danny is being excessive with is drugs, sex, misogyny, and basically anything else that one
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Active Child’s sophomore release has some pretty haunting and beautiful sounds. Lone member Pat Grossi’s choir boy falsetto is undeniably good. Plus, all the effects he laces into these tracks makes this LP an interesting listen. While I’m not in love with every song on this LP,
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On her sophomore album, Chelsea Wolfe brings together ten pieces of straight up darkness. But what makes the dreary, depressing feelings on this album so palatable is that Wolfe attacks this darkness from multiple angles with noise rock guitars, doom metal riffs, ambient soundscapes, smooth beats, and blood-curdling snarls. While
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On the first track to drop from Feist’s upcoming album, Metals, the instrumentation hits a light groove as the lyrics detail a story about finding a love that was once there. However, all efforts seem to be doomed from the start. The music doesn’t come on hard. It
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On Rival Sons’ sophomore album, the California quartet makes the classic sounds of hard rock and blues rock kind of exciting again. While these dudes are nowhere near as flashy as some of the bands that influence them, they do pull together some really great sounds on this LP. Pressure
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On Watch the Throne, Kanye and Jay-Z team up for a celebration I’m sure their fans are going to love. The heavyweight MCs celebrate their relevancy, fame, and popularity with one track after another–occasionally stopping to make an introspective or societal observation. While the idea of the album
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For me, Beirut’s new album is a small step back from the Flying Club Cup and the March of the Zapotec EP that preceded it. I was sure all this waiting would result in something bigger and better, but the ambition needed for that doesn’t surface on the
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This compilation features 15 cuts from a time span of several years in Nigeria’s musical history. It was a time when Phonodisk, a record label looking to engineer hits, started promoting Nigerian bands playing with some sounds that were big in the West at the time: disco and funk.
