trap
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Montero‘s catchiness and candor is unmatched by a great deal of modern pop.
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Though its initially interesting aesthetic becomes samey and Trippie’s performances are hit-and-miss, Trip at Knight is his best project since his studio debut.
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Van Gogh’s Left Ear gets off to a very strong start before ZelooperZ’s risk-taking leads to some awkward spots.
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For better or worse, $uicideboy$ stick to their guns on Long Term Effects.
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The House Is Burning, for the most part, is about as engaging as a lackadaisical buzz.
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As a comeback project of sorts, Bobby Tarantino III isn’t particularly auspicious.
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You have to trudge through a lot of middling pop rap to reach USEE4YOURSELF‘s pockets of emotional potency.
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As far as posthumous projects go, Faith isn’t a total insult to Pop Smoke’s memory, but it is quite a step down from Shoot for the Stars.
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“> Vince Staples’ self-titled project, not unlike FM, is a short but sweet collab with Kenny Beats.
