trap
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ZillaKami and SosMula bring a ton of bark and not too much else to this debut City Morgue album.
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If nothing else, Quavo Huncho suggests that Quavo’s dependence on Takeoff and Offset doesn’t run quite as deep as one might think. But what little appeal the album ends up having has less to do with him, and more to do with the features and variety of production.
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YSL and Quality Control really should’ve kept these two on the bench.
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Mudboy is one of the oddest trap rap albums I’ve heard in a while.
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Lil Wayne is in rare form on the best parts of his fifth installment of the Carter series, but bogs this album’s full potential down in a number of underwhelming cuts too.
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6LACK continues blending into the background of the alternative R&B field on his sophomore album.
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Zoo‘s songs, with only a couple of exceptions, range from boring to awful and are further weighed down by Russ’s crummy mindset.
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$uicideBoy$’s debut album delivers a dark and grimy vibe, but the duo hasn’t evolved much artistically since they first started turning heads on Soundcloud.
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Eminem falls just short of ending his career on his latest album, Kamikaze.
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Talking about the surge in popularity that emo rap has seen in recent years.
