trap
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There’s no doubt DaBaby can flow; it’s just unfortunate he spends so much time on KIRK, as he says, “fuckin’ around.”
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Ameer Vann’s comeback EP is pretty bitter and one-dimensional.
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Many of the songs on Is He Real? are either too underdeveloped or lacking in a distinct voice to capitalize fully on the fundamentals and promising concept IDK brings to the table.
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EarthGang’s shortcomings become apparent when they tone the intensity down midway through Mirrorland.
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Post Malone loses focus on his sophomore album.
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With 93PUNX, Vic Mensa makes a last minute bid for the worst hip hop and rock crossover of the decade.
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To say the least, ! does not follow through on the potential of Trippie Redd’s previous work.
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The Sailor is by turns impressive and disheveled in its combination of so many rap and pop music styles.
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Even though Cordae wears some of his contemporary influences on his sleeve, The Lost Boy is a solid and promising debut album.
