the needle drop
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Dailybeatz celebrated its one-year anniversary by putting together a summer-themed mixtape with musical submissions from fellow bloggers. It’s now Dailybeatz’s second year, and we’ve got the second installment of A Blogwave Summer right here. Stream / download the mix above, and here is the playlist below, listing the
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Wild Beast’s Smother shows the band toning things down, and making a sound that comes off eerier than the material on their previous two albums. Though this LP still holds some of the grooves their last albums did, the songs here carry a much more serious tone–maybe too
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SWAG SWAG SWAG SWAG SWAG SWAG SWAG SWAG SWAG SWAG SWAG SWAG SWAG SWAG SWAG SWAG SWAG SWAG SWAG SWAG SWAG SWAG SWAG SWAG SWAG SWAG SWAG SWAG SWAG SWAG SWAG SWAG SWAG SWAG SWAG SWAG SWAG SWAG SWAG SWAG SWAG SWAG SWAG SWAG SWAG SWAG SWAG SWAG SWAG SWAG
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On Helplessness Blues, Fleet Foxes improve just about everything that they were doing on their last album. Keep in mind the key word here is “improve,” not change. Yes, the band is still walking down the same path they were on their previous LP, but they’re much further down
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On their latest album, Explosions In the Sky gives the appearance of evolution with some added instrumentation: acoustic guitar, strings, hums, looped percussion, and other miscellaneous noises. However, the band hasn’t really altered their playing style or sonic qualities that much. The mood has changed a little, but this
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On their latest album CunninLyngusits bring some seriously cinematic production. All of the atmospheric textures make the perfect setting for lyrical themes dealing with dreams. Of course, “dreaming” isn’t limited to what you see in your sleep. This LP delves into fantasies of all shapes and sizes: sexual, violent,
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New remix of “Hometown Hero” from Mississippi rapper Big K.R.I.T., which features Grillade. Grab the 12” EP it comes from right here. Every purchase results in a donation to the Roots of Music Foundation in New Orleans. Make sure to check out K.R.I.T.’s
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Trap Them’s third album won’t be a shock if you’ve heard their earlier work, but they have inched once more toward a unified sound. With Kurt Ballou at the controls again, the band has built a torturous gauntlet of twelve pounding tracks. They’ve got the intensity
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Though it is fun to see Bibio cover so much ground on this album–jumping from cowbell rock ballads to odd electronics without batting an eye–the songs behind the sounds aren’t doing all that much for me. Not that this album isn’t tuneful. In many respects it
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On their latest LP, the Strokes want to head in a new direction, but they can’t decide on one. So they use every track to obtain a different sound. Moments like “Under Cover of Darkness” embrace what’s best about the band’s past work, but “Two Kinds of
