the needle drop
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I collaborate with the RIO!B’s Sami Jarroush on this review of the latest Cloud Nothings album.
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While this new Avey Tare record has some sweet melodies on it, nearly every piece of instrumentation on this thing is burnt to a crisp with effects. A lot like the latest Animal Collective record, this album is a little overdone, and could have benefited from taking the more orthodox
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While the incredible brevity of this new Tony Molina record makes it a little gimmicky, the infectious melodies and breakup album concept are enough to make me overlook that most of the time. If you like your power pop rough and punk-influenced, give this a listen.
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Even though it leaves me starving for more, Timber Timbre’s latest record features some of the best tracks and instrumentation to ever come out of this project.
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White Hinterland’s third album is the most instrumentally complex thing I’ve heard this project deliver thus far. Not only that but mastermind Casey Dienel’s voice is sounding better than ever between all of these power piano ballads and dense, soulful art pop tunes.
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Danish electropop artist Mø’s comes through with a relatively solid debut LP, featuring some spectacular hooks, impressive singing, and decent production.
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A group of brief reviews I wished I had the time to touch down on in a full video this past month. Sorry I didn’t get to them in a formal review, but I’m just gonna talk about them all in brief here. While I didn’t dig
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Art Pop is easily Lady Gaga’s most eccentric and colorfully produced album yet. However, she still doesn’t go far enough to keep her very radio-friendly band of pop interesting for an entire album–especially when it comes to lyrics.
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Canadian MC Shad’s latest album is one of his most ambitious yet. The guy spits his usual brand of clever, playful wordplay over some pretty bright, uplifting instrumentals, I wish the sadder tracks had more emotional impact, though.
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Smith Westerns’ Soft Will shows the Chicago band upping their recording quality, and really showcasing the big melodies and choruses that were hidden under some of the muck on their last record, Dye It Blonde. WATCH THE REVIEW