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Kvelertak delivers once again with high energy, solid production, anthemic melodies, catchy choruses, and a tastefully executed blend of influences: rock ‘n’ roll, black metal, hardcore punk, and heavy metal. WATCH THE REVIEW
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On his latest release, Bonobo shows more ambition with some great vocal features and vast, atmospheric production; however, too many tracks on this hour-long release don’t make much of an emotional impact. WATCH THE REVIEW
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On its fifth record Canada’s KEN mode continues to translate the sounds of post-hardcore and noise rock with some sludge metal chic. WATCH THE REVIEW
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Justin Timberlake continues to show more ambition than the average pop artist with song lengths and structures, but longer tracks hardly make up for thin production and even thinner lyrics. WATCH THE REVIEW
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The Strokes continue to search for different sounds on this latest album of theirs, but it doesn’t seem they’re that picky about what the end product sounds like. The fact they sound “different” is what seems to take precedent. WATCH THE REVIEW
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The recording quality on Dope Body’s new 7″ EP might not be the best, but more nasty, sludgy psych rock is just what the doctor ordered. WATCH THE REVIEW
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On Nails’ sophomore release, the band makes a series of slight improvements to their already extreme sound. WATCH THE REVIEW
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Teasing toward the release of their third full-length album, Vampire Weekend drums up two bold pop tracks of two different flavors. WATCH THE REVIEW
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Rhye’s debut full-length is really great at conjuring a sexy vibe, but it can come off a bit one-dimensional at times. WATCH THE REVIEW
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With a new solo release, modern prog rock figurehead Steven Wilson pulls together a series of tracks that feel like they function more on formulas than they do feelings. WATCH THE REVIEW
