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Cloud Nothings’ latest album is a lean and muscular improvement on the lo-fi sound the band used to deal in just a year ago. WATCH THE REVIEW
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To be honest, I’ve never been a huge Alcest fan. The combination of black metal and shoegaze the French project has been creating since 2000. My feelings aren’t much different when it comes to this new album, Les voyages de l’âme. WATCH THE REVIEW
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Guided by Voices’ first release release since they’re reunited tries to recapture the sounds and style of the group’s more acclaimed records. Mixed results ensue. WATCH THE REVIEW
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Finishing up classics week with a review of Neutral Milk Hotel’s seminal In the Aeroplane Over the Sea. What do you think of this album? Love it? Hate it? Why? What should I review next, eh? WATCH THE REVIEW
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Classic week continues with a review of Marvin Gaye’s What’s Going On. What do you think of this album? Love it? Hate it? Why? What should I review next, eh? WATCH THE REVIEW
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Continuing my review of my favorite albums ever this week with a look at Wu-Tang Clan’s debut album, Enter the Wu-Tang: 36 Chambers. WATCH THE REVIEW
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California hip hop collective Odd Future finishes off the year with a new release from the Internet. This ain’t the same angle you’d expect from most OF albums, but it’s not exactly restoring my faith in the outfit. WATCH THE REVIEW
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Combining elements of footwork and synth-heavy soundtrack music, Kuedo–a.k.a. Jamie Vex’d–is taking a break from dubstep to bring two different worlds together. WATCH THE REVIEW
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This video is a collaborative review with the good guys over at Dead End Hip Hop. Here’s the text they popped in the description box: “We couldn’t hook up with The Needle Drop and not do an album review. Brooklyn MC Theophilus London drops his debut album a
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Cut Copy’s latest album is sweet, danceable, and good-natured. There’s no denying that. But the personality on this album–or lack of it, really–is what prevents this album from sticking with me. The vocal melodies and lyrics are pretty underwhelming, and the grooves don’t hit as
