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On Matthew Dear’s fifth full-length album, the singer-producer improves his grooves and lyrics while making his definitive, dark-as-hell sound a bit more colorful than usual. WATCH THE REVIEW
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Bloc Party returns after a self-imposed hiatus with a true blue rock album. WATCH THE REVIEW
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Improving on the project’s debut in 2010, Gemini, Jack Tatum’s Wild Nothing presents a group of dreamy, well-written, and catchy songs on its sophomore release. WATCH THE REVIEW
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On her full-length debut, UK singer-songwriter Jessie Ware brings a somewhat modern approach to embracing the kinds of contemporary R&B sounds that were pretty hot in the 80s. WATCH THE REVIEW
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On this debut full-length Eprom explores some interesting musical ideas, bringing together the sounds of glitch hop, future garage, dubstep, and more. Frankly, there’s not much the guy doesn’t try out between these three tracks. But what kinda pulls them all together is that he maintains a certain
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After several years consisting of a handful of features and tracks, MF DOOM is finally back with a full-length album. This time, he’s spitting over a series of instrumentals from Jneiro Jarel. WATCH THE REVIEW
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On his full-length debut, 2 Chainz embraces a popular, trunk-knocking, and Southern sound, but doesn’t supply much in the way of lyrics, personality, or entertainment.
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Though Mature Themes does contain some of my favorite Ariel Pink songs, it’s hardly a solid listen. Between “Nostradamus & Me” and “Driftwood,” there are just too many underwhelming and forgettable potholes on this LP. WATCH THE REVIEW
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I’m tired of talking about R. Stevie Moore cuz I can’t find any. WATCH THE REVIEW
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With some great production from the Alchemist, No Idols delivers one colorful instrumental after another with Odd Future’s Domo Genesis spitting some less-than-interesting verses. WATCH THE REVIEW
