7/10
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A lot of eclectic elements are balanced very well on black british music (2025).
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Matmos come through with a solid textural concept on Metallic Life Review.
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Hayden ends his Motor Trilogy on a very pretty and evocative note.
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While not bad at all, Phantom Island is a bit of lost potential for King Gizz going in a more orchestral direction.
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Never Enough, while still a good album, is a little atered-down compared to Glow On.
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PPC's most dynamic album so far.
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The final "big sound" Swans album contains some of the most surreal and uplifting spots in the band's discography.
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Not many mathcore outfits can pull off a Björk interpolation.
