synthpop
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NY pop duo MGMT executes a fantastic return to form with the sounds of synth pop on Little Dark Age.
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Apart from a few bright spots, I can feel you creep contains Tune-Yards’ most uninteresting and obnoxious material to date.
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CLASSICS WEEK 2018 kicks off with seminal French House duo Daft Punk’s sophomore album, Discovery.
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Tame Impala has a new EP out featuring a handful of B-sides and remixes from the Currents era. It’s definitely worth checking out if you are fond of that album, but if we had to pick a highlight it’d be this opening track, “List of People (To Try
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Destroyer’s latest record is an awkward helping of new wave pastiche.
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SOPHIE has returned with a single that’s quite unlike the bubblegum bass bangers that put her on the map. “It’s Okay to Cry” is instead an emotional, slow-burning art pop ballad that shows off the artist’s tender side. Fittingly, the song comes with a video wherein the
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Beck’s latest album explores the bland limits of unoriginal, sanitized, millennial pop.
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St. Vincent delivers her most inconsistent album yet with MASSEDUCTION.
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Poppy’s debut album is a good collection of pop songs, but doesn’t quite live up to her unique Internet personality.
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On his sophomore album, Sydney singer/songwriter Alex Cameron consistently delivers catchy hooks and hilarious lyrics while channeling a soft rock aesthetic.
