With reverbed guitars and layer upon bright layer of synth horns, Brian Eno and Underworld co-founder Karl Hyde deliver “The Satellites,” which is the opening track from the forthcoming collaborative album Someday World. This thing is looking at a release on Warp Records on May 5th! While basic in its
synth
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Austere and cold and knotty. These are some words I would use to describe the second track to drop from the new White Hinterland record, Baby. This title track is dramatic, playing with multiple layers of Casey Dienel’s voice (some of which are under some sort of robotic effect)
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A synthy slow jam named after Bill Murray? Mmkay, you got me. Phantogram have unleashed this new track, and it’s pretty great. From Sarah Barthel’s honeyed, smooth voice, to the lithe slide guitar, to the buzzy keyboards. It almost sounds like a Beach House song if they were
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A video for the latest single from Swedish singer-songwriter Jenny Wilson. This cut comes from her latest record, Demand The Impossible. With the aged recording and faux futurism going on in the music and visuals here, there’s no doubt that Jenny Wilson’s got an active imagination. Strong electronic
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Caged Animals are bringing out a quirky and infectious pop sound with “Cindy + Me,” and it’s hitting all the right notes. The synth and bass grooves definitely add a lot to the already infectious aspects of this song–like the constantly ascending and descending guitar leads. The quirky vocals
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The kings of French House return with a new album that pays homage to the roots of their roots. WATCH THE REVIEW
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An eerie fusion of electronic music and hip hop on this new track from When Saints Go Machine, “Love and Respect,” which is a cut from the Danish quartet’s new album, Infinity Pool. It’s dropping this week via EMI Records and !K7 Records.
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A beautifully eerie new cut from oOoOO titled “Mouchette,” which should be featured on the project’s debut full-length, Without Your Love, toward the end of June via Nihjgt Feelings. Dig the murk and the bass on this one! The vocal samples are an incredibly beautiful touch as well, and
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Cro Magnox by Ceephax Ceephax takes a break from his typical acid techno-tinged song production style to create a collection of electronic pieces that sound a bit more epic, cinematic. Numerous cuts of Cro Magnox sound as if they could serve as the perfect soundtrack to a b-movie produced in
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On their third full-length album, the Mary Onettes don’t make much of any significant changes to their sound, but they do deliver some really sharp, catchy jangle pop tunes. WATCH THE REVIEW
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