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Bristol rapper ThisisDA packs a lot in a short amount of time with new single “Unstoppable.” The track last only a minute and a half, but features a sweet, jazzy instrumental from Ecstra Kool and a compelling set a bars from ThisisDA (a teetotal himself), detailing a man in a
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Empty by Orphan Donor Recording for Allentown grindcore quartet Orphan Donor’s new EP Empty apparently took place over the course of three years – starting in January 2011, in a barn, and ending in November 2013, in a basement. Clocking in at a seemingly meager 15 minutes, Empty might just
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Stream: MUTOID MAN – Helium Head Massachusetts metalcore titans Stephen Brodsky (of Cave In) and Ben Koller (of Converge) have teamed up under the name MUTOID MAN and have just dropped their debut project Helium Head. The people at Earsplit PR describes the sound of this expectedly whirlwind release as “classic
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Last month, Swedish metal outfit In Solitude put out its third studio album Sister, its most adventurous effort thus far. Case in point: The LP’s third track, “A Buried Sun;” a seven-minute-long piece of that exhibits band’s classic metal throwback sound, but with a welcome infusion of goth
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Next year, Seattle rock trio Helms Alee will put out their third studio album Sleepwalking Sailors. Above, check out the LP’s simultaneously sludgy and sticky lead single “Tumescence.” Seriously, the band’s balance of trudging, Verellen-yelled verses and James and Margullis’ lovely choruses is staggering, but also catchy-as-hell. Happy
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With an elegant piano intro, and adorned with bells and chimes, “With Me,” the new cut from Cashmere Cat’s forthcoming EP Wedding Bells, is the producer’s most gorgeous offering yet. But Cashmere Cat also comes forward with some sparkling electro textures and a few deft drops that make
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Electronic music producer Evian Christ takes to bangers like a duck to water on this new beat of his, “Salt Carousel,” which is set for release on his Waterfall EP. Look for that early next year. Check out a review for his Kings and Them compilation below:
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Swedish rock outfit MANKIND has a few songs floating up on SoundCloud at the moment, and they’re absolutely over-the-top, ballsy, and in-your-goddamned-face! UGH! GOD! BELHDLHDLGHG! There are some loud, abrasive elements to this band’s music that reminds me quite of bit of progressive punk bands like Refused, but
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On first listen, Jess Williamson’s new song “Blood Song” is nothing overly special. Adequately plucked, gritty electric guitars; a pretty, worn husk of a voice; and a slightly muddy recording. But listening deeper reveals a pretty great little song: Williamson sings with a certain assuredness, in a voice that
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“The Story of Lot,” the last single from Norwegian noise rock collective Årabrot, is a left-field turn from an already left-field band. The 15-minute piece is comprised of Kjetil Nernes recounting the Bible’s tale of the drunken, incestuous title character over a propulsive, lurching bassline that amasses harsh electronic
