st. vincent
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The weekly segment in which Anthony touches down on some of the best and worst tracks he has heard in the past week.
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The weekly segment in which Anthony touches down on some of the best and worst tracks he has heard in the past week.
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St. Vincent’s latest full-length is her most experimental yet!
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The upcoming self-titled album from St. Vincent can’t come soon enough. “Birth in Reverse” and “Digital Witness” have hinted that this will be Annie’s most off-the-wall and adventurous project yet, and although decidedly a bit more understated than those two; new single “Prince Johnny” is a welcome come-down
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St. Vincent/Annie Clark has released a music video for her recently-released song “Digital Witness”, from her upcoming self-titled LP. The video depicts Clark standing stiff with an almost completely blank gaze. The clip seems to be about Clark acting as this sort of figurehead/commander (I picture her as
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With two tracks being dropped from it thus far, St. Vincent’s next record is shaping up to be her strangest. This latest cut titled “Digital Witness” delivers the kind of funky drum beats and peppy horns that graced numerous tracks on Ms. Clark’s recent collaboration with David Byrne,
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She’s back! Annie Clark, aka St. Vincent, has announced that her long-awaited new record, St. Vincent, the follow up to her fantastic 2011 LP Strange Mercy, will be out February 25. The first single to drop from it is “Birth in Reverse,” a banging, electric, percussive track with killer
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With modern cameras capable of capturing colors we don’t even have names for, the decision to shoot in black-and-white is not a decision to be made lightly. In his video for the David Byrne/St. Vincent collaborative song “Who,” director Martin de Thurah not only uses black-and-white to establish
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MP3: David Byrne & St. Vincent- “Who” There are a few artists whose album announcements actually get my fingers shaking and breathing erratic. David Byrne is one of ’em, and his forthcoming project is an exciting one. There’s been talk of him collaborating with St. Vincent, a.k.a.
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The a-side to St. Vincent’s new, non-album Record Store day 7″, and it’s a blood pumper. Between Annie Clark’s ferocious screams and the heavily distorted guitars, St. Vincent takes no prisoners on this one; reminding me of some of Kim Gordon’s more aggressive moments in the
