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Woodsist Records’ Babies have a new record on the way titled Our House On The Hill. It’s looking at a Nov. 13th release date, and “Get Lost” is one albums’ 12 cuts. The song features a messy, explosive folk rock intro–which will probably appeal to Woods fans–but
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While their sophomore effort, Yeah Right, might have been pushed back to January of next year, Bleeding Rainbow (formerly Reading Rainbow) have a new song for the blogosphere in the form of “Drift Away.” Very much in the band’s upbeat noise pop style, it offers a few curveballs to
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Tim Hecker-esque layers of noise subtly underscore mesmerizing acoustic guitar arpeggios on Villages’ song “Before Failures.” While I really enjoy drone music, more often that not, I feel an unnerving sense of dread whenever I listen to the genre. The repetitive patterns that make the genre often feel like ill
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Some vintage pop rock with schizophrenic tendencies on this new Foxygen track, “Shuggie,” which is set to come off the band’s next album, which is ambitiously titled We Are the 21st Century Ambassadors of Peace & Magic. It’ll be out January 22nd via Jagjaguwar–you know, the same
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Compton rapper Kendrick Lamar has always been pretty proud of where he is, referencing it numerous times–in lights both positive and negative–in his songs. However, this new track is truly his biggest tribute yet, featuring the likes of Compton legend Dr. Dre on a few verses. Also, that
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Here’s the latest track from anonymous electronic music artist, uh, Unknown. He or she has been dropping tracks periodically via this YouTube channel since the spring, and the sound has remained pretty consistent in showcasing a blend of sounds pulling from future garage and Burial-inspired dubstep. “#010” is obviously
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Some trippy, eye-massaging visuals from the new Matthew Dear album, Beams. The track featured above is “Earthforms,” which is one of the catchier tracks off the album that I LOVED, LOVED, LOVED. Peace to Morgan Beringer for creating the video.
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Converge drops a new track as the band’s October 9th release date for All We Love We Leave Behind draws nearer. Jacob Bannon’s vocals are feral, the guitar riffs are thrashy, and the gang vocals are pretty energizing as well. Stream to your heart’s content!
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With a dreamy, slow motion beat from XXYYXX, Milo brings a surprisingly calm demeanor to a new collection of lyrical abstractions and nerdy references. I’m loving the instrumental here. I’ve always thought XXYYXX’s stuff could use a bit more detail, but his usual simplicity seems to fit
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Yet another band that’s been fairly absent since their previous LP in 2007, Oakland’s post-metal demigods Neurosis are back with their textbook brand of apocalyptic, sludgy metal paired with psychedelic textures. “At the Well” is currently streaming on NPR’s website and shows the band harkening back to
