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  • UK experimental music duo Fuck Buttons have finally dropped some music from their forthcoming LP, Soft Will. Even though the track is merely an edit of what is to come, the music displayed still inspires with it’s rough distortion, high-pitched synths, and bumpy groove. Enjoy, and look out for

  • Gold Panda drops another track from the forthcoming Half of Where You Live, which is six minutes of blissful electronics and samples that swell and repeat hypnotically. This UK-based producer has essentially assembled and layered a group of sounds into a kaleidoscopic experience. Look for this new LP on Ghostly

  • SLSBS ft. Quelle Chris by Metabeats (co-produced by Ed Boogie) A new track from Metabeats, which features some cutting lyrics from Quelle Chris that deal with fame, jealousy, and the music industry. The verses truly capture the sentiments of this track’s snide chorus: “SOUNDS LIKE SOME BULLSHIT!” The instrumental

  • A new track drops from the brotherly, British electronic music duo Disclosure. They’ve had some incredibly hot singles this year that have some clear influences coming from the worlds of R&B and 90s dance-pop. However, as Stereogum points out, this new cut functions on a much funkier

  • Metal outfit Deafheaven has dropped the title track from their forthcoming album, Sunbather, which is set for release on Deathwish Inc. next month. The song takes a load of black metal theatrics and executes them with triumphantly beautiful lead melodies. Enjoy! Also, catch a review for a previously released track

  • The Underachievers have dropped a new track titled “May’s Patience,” which is great and continues to showcase the talents of these bona fide East Coast spitters, but what’s even more exciting is the description of the embedded track above teases toward a new full-length project on the way

  • As one half of the group formerly known as Hype Williams, a duo which now goes under the more self-explanatory title Dean Blunt and Inga Copeland, Dean Blunt has specialized in obtuse, abstract electronic pop, though I use the term “pop” this loosely. With the idea of pop tends to