soft rock
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There are some good and not so good times to be had at Harry’s House.
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Oxy Music, between its underexplored concept and hit-and-miss songwriting, doesn’t meet the high standard of Alex’s previous albums.
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Blue Banisters sounds more slapped together than Lana’s past two LPs.
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Clairo displays considerable growth as a songwriter since Immunity on Sling.
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The strongest St. Vincent album since Strange Mercy.
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Even if it doesn’t stack up to Norman Fucking Rockwell, Chemtrails Over the Country Club is a solid songwriting statement from Lana.
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Women in Music Pt. III is the Haim sisters’ most solid set of songs yet.
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Lana Del Rey improves as a songwriter by leaps and bounds on NFR.
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Mac DeMarco pares his songwriting down to something more minimal on Here Comes the Cowboy, losing a lot of personality along the way.
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On his sophomore album, Sydney singer/songwriter Alex Cameron consistently delivers catchy hooks and hilarious lyrics while channeling a soft rock aesthetic.
