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NYC rappers Your Old Droog, Styles P, and Joey Bada$$ just rhyme over some Black Milk production.
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Teens Of Denial by Car Seat Headrest From Teens of Denial, Car Seat Headrest‘s follow-up to last year’s Teens of Style (review), out May 20 via Matador.
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The first single from Dźwięki ukryte, a collaborative effort by brass instrumentalist Wojciech Jachna, bassist Jacek Mazurkiewicz, and percussionist Jacek Buhl. It’s slated for release in April via Instant Classic.
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We’re happy to premiere this splendid cut from The Coral Casino, a full-length collaboration between John Dieterich of Deerhoof and Jeremy Barnes of Neutral Milk Hotel and A Hawk and a Hacksaw. The album is out May 6 via Barnes’ Living Music Duplication; if you dig what you hear,
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From 3001: A Laced Odyssey, the debut studio album by Brooklyn hip hop trio Flatbush ZOMBiES, out today through their Glorious Dead imprint.
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From Nonagon Infinity, Melbourne psych rock outfit King Gizzard & The Lizard Wizard‘s follow-up to last year’s Paper Mâché Dream Balloon (review), out April 29 via Flightless.
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From Lost Themes II, a sequel to last year’s collection of tracks by horror film director and composer John Carpenter, out April 15 through Sacred Bones.
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The lead single from The Hope Six Demolition Project, PJ Harvey‘s follow-up to Let England Shake (review), out April 15 via Vagrant.
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The woman at the end of the world (A mulher do fim do mundo) by Elza Soares The title track off experimental samba singer Elza Soares‘ 34th album A mulher do fim do mundo, out worldwide May 20 via Mais Um Discos.
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ANOHNI responds to drone warfare with “Drone Bomb Me,” the second single from her new album HOPELESSNESS, out May 6 via Secretly Canadian.
