singer-songwriter
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Though it occasionally suffers from overambition, the jazzy I Also Want to Die in New Orleans is another helping of admirable personal and social commentary from Mark Kozelek.
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Quiet Signs is a meager helping of Jessica Pratt’s pretty and subtly psychedelic style of folk songwriting.
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Panda Bear’s latest solo outing sees his psychedelic brand of surreal folk submerged under an ocean of cascading delays and nautical vibes.
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Remind Me Tomorrow is a little all over the place in terms of style and pacing, but is nevertheless another solid set of songs from Sharon Van Etten.
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Hey everyone! It’s list time again. 2018 really flew by. (Can we get that same luxury in ‘19 and ‘20 please, too? Thanks.) Anyway, for this year’s edition of “The TND List You Don’t Really Care About Let’s Be Honest,” I decided to forgo the traditional
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Though an improvement on his previous solo effort, Kurt Vile’s new album could have used some trimming.
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While it’s certainly pleasant and stands out in the current mainstream music landscape, Hozier’s latest EP doesn’t offer much that indie songwriters and folk artists haven’t done better in the past couple of decades.
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This debut collaboration between British singer-songwriter Laura Marling and Tunng co-founder Mike Lindsay delivers some texturally unique folktronica.
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Even though it’s a little disappointing to hear Josh playing it so safe stylistically on the heels of Pure Comedy, God’s Favorite Customer more often than not delivers the sharp songwriting that Father John Misty is known for and admirably tackles some pretty dark and personal topics.
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Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek
