singer-songwriter
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Microphones In 2020 is an instrumentally predictable but narratively thorough deep dive into the formative years of singer-songwriter Phil Elverum’s music career.
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Lianne La Havas’ self-titled album is fittingly her boldest yet.
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If you’re not already a fan of Bob Dylan’s 21st century output, Rough and Rowdy Ways probably won’t do much to change that.
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The emotional potency of Punisher is undeniable.
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Fetch the Bolt Cutters has plenty of great ideas, but is sometimes betrayed by its raw presentation and quasi-experimental direction.
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What Song for Our Daughter lacks in experimentation it more than makes up for with its robust songwriting.
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Saint Cloud is an underwhelming take on indie country.
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Likewise‘s plain instrumental palette doesn’t do much to complement Frances Quinlan’s unique voice.
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Circles is the finest musical send-off any Mac Miller fan could have asked for.
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With meandering melodies and directionless songwriting, Mount Eerie teams up with Julie Doiron for a sequel to 2008’s Lost Wisdom that pales in comparison to the original.
