singer-songwriter
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What Marchita has in concision it also has in beauty and emotional potency.
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Elliott Smith’s self-titled sophomore album is a devastating masterpiece of indie folk.
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The Path of the Clouds is easily Marissa Nadler’s most instrumentally dense solo project to date, which is mostly a blessing.
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Blue Banisters sounds more slapped together than Lana’s past two LPs.
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Sufjan and Angelo make beautiful music together.
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Despite missing some of its predecessor’s rough-and-ready charm, Any Shape You Take is a solid indie effort.
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Home Video can give off a boilerplate indie vibe, but Lucy Dacus’ vivid and charismatic songwriting is more than enough to elevate it.
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Even if it doesn’t stack up to Norman Fucking Rockwell, Chemtrails Over the Country Club is a solid songwriting statement from Lana.
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Though it boasts a grander sound than Baker’s past work, Little Oblivions is laden with unremarkable indie-isms.
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The emotionally potent and timely Carnage finds Nick Cave and Warren Ellis letting loose with the aesthetic they forged on the previous Bad Seeds trilogy.
