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Injury Reserve’s debut studio album isn’t quite as consistent as the trio’s mixtapes, but is nevertheless a cut above most of what you’ll find in today’s rap field.
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Following a disappointing comeback album in 2016, American Football shows promise once again with the dreamier LP3.
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Weezer’s Black Album resumes the band’s nosedive.
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For a covers album orchestrated by a popular rock band, The Teal Album could’ve turned out much worse.
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This debut collaboration between British singer-songwriter Laura Marling and Tunng co-founder Mike Lindsay delivers some texturally unique folktronica.
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KIDS SEE GHOSTS finds both Kanye West and Kid Cudi in top form as they host a psychedelic odyssey through the darkest and brightest corners of their psyches.
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Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek
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Though it could be more consistent and substantial, this debut album from Superorganism will probably go down as one of the year’s most creative pop projects.
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The Neighbourhood incorporates more elements of synthpop and alternative R&B on their self-titled album, which is about as drab as what came before it.
