self-titled
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“> Vince Staples’ self-titled project, not unlike FM, is a short but sweet collab with Kenny Beats.
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Spirit Possession’s self-titled debut is a thrilling and unforgiving piece of American black metal.
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A round-up of Anthony’s favorite albums from the past month.
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Lianne La Havas’ self-titled album is fittingly her boldest yet.
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The magical monthly segment where Anthony briefly touches down on a gauntlet of albums he didn’t get a chance to review this past month. These are just his short, straightforward, passionate, biased opinions.
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JACKBOYS don’t shine as a collective on their brief debut.
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Head-scratching interludes notwithstanding, Michael Kiwanuka’s latest album is his boldest yet.
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With their self-titled debut, The Highwomen prove themselves to be a versatile country supergroup with a unique perspective.
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David Berman’s wryly depressive (or depressively wry) songwriting seems to have only gotten sharper during his decade away from music.
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Rammstein’s first studio album in 10 years falls apart after a promising first leg.
