rock
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Bring Me the Horizon’s blend of pop, electronics, and what remains of their metalcore edge is surprisingly admirable on amo.
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Why Hasn’t Everything Already Disappeared? is hands-down the blandest entry in Deerhunter’s discography.
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Remind Me Tomorrow is a little all over the place in terms of style and pacing, but is nevertheless another solid set of songs from Sharon Van Etten.
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The Telescopes are a shoegaze and noise rock outfit hailing from England who have been at it since the late ‘80s. Since forming, they’ve dabbled in a myriad of other sounds ranging from the downtempo of their third album to the Metal Machine Music-esque feedback barrages of Infinite Suns.
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A list of all the artists Anthony is hoping to hear new music from in 2019.
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Sleater-Kinney’s almost-swansong, The Woods, proved to be one of the 2000s’ most badass and essential rock albums.
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Hey everyone! It’s list time again. 2018 really flew by. (Can we get that same luxury in ‘19 and ‘20 please, too? Thanks.) Anyway, for this year’s edition of “The TND List You Don’t Really Care About Let’s Be Honest,” I decided to forgo the traditional
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Mark Kozelek’s latest endeavor follows his jet-lagged excursions through Europe, but his narratives often overpower the music.
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Though an improvement on his previous solo effort, Kurt Vile’s new album could have used some trimming.
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Greta Van Fleet is a cover band without the covers.
