rock
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Sleater-Kinney tries new things throughout The Center Won’t Hold and, more often than not, they don’t pan out.
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Face Stabber is perhaps Oh Sees’ most ambitious album to date, but its protracted jams wear out their welcome before long.
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King Gizzard takes a successful swing at thrash metal on their second album of 2019.
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Swain heads in a moodier and relatively low-key direction with Negative Space.
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Bombastic production isn’t enough to save Help Us Stranger’s often shabby songwriting.
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Return to Center finds Kirin J. Callinan putting a unique and hilarious spin on the covers album, somehow resulting in his most effective character portrait yet.
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Right out of the gate, black midi has crafted one of the decade’s most creative rock albums.
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I Am Easy to Find returns to the dullness of The National’s early 2010s output.
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A round-up of the best albums Anthony reviewed this past month!
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Vampire Weekend embraces quantity over quality on Father of the Bride.
