rock
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Infinite Granite finds Deafheaven eschewing the blackened aspect of their sound in favor of boilerplate shoegaze and post-rock.
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Saturday Night doesn’t sound quite as methodical as Jack’s work for other artists.
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Nicolas Jaar and Dave Harrington break their hiatus with a sound that’s a bit more rockin’.
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The Golden Casket isn’t as uninspired as its predecessor; it’s more like ill-inspired.
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Butterfly 3000 barely scratches the surface of its more synth-centric direction.
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Nearly every song on Blue Weekend comes across as an overblown pastiche of 90s alternative and indie rock.
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Cavalcade finds black midi remaining one of the most exciting acts in modern rock while going avant-prog.
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Iceage’s unruly energy can be at odds with Seek Shelter‘s grandeur, but only rarely is this at the expense of the album.
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Some of its ideas do get a little stale, but all in all Bright Green Field is an ambitious and very promising debut album.
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Between a few tracks hitting and Rivers singing “pump it up into me, please daddy” as a hook, Van Weezer is pretty much a mid-tier Weezer album.
