Despite my everlasting love for A.P. Ticker and the Spelunker, it seems Breakfast as Sullimay’s is the most popular thing Woodshop Films has ever done. However, it’s been nearly a month since that last episode, from what I believe. Will we ever see Bill, Ann, and Joe
reviews
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On this title track from one of Grouper’s two new albums, Liz Harris creates “vastness,” and packs it into three minutes of arpeggios and ghostly vocals. The lo-fi production makes the music really smudgy and obscured, but there’s still something therapeutic about the repetition and textures here. Listening
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On these two new Record Store Day tracks to drop from Radiohead, I find myself scratching my head. It’s not because these tracks are bad, though. I actually think these tracks are great. I’m just left wondering why the tracks, for me, seemed to surpass a lot of
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On its latest EP, which is a folloup to 2010’s Silver, Eternal Summers being four new tracks into their discography, embracing the sounds of twee and fem-powered post-punk acts the UK was churning out in the late 70s and early 80s. Though not every track here hit me hard,
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On Helplessness Blues, Fleet Foxes improve just about everything that they were doing on their last album. Keep in mind the key word here is “improve,” not change. Yes, the band is still walking down the same path they were on their previous LP, but they’re much further down
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Natural Child’s 1971 is an attitude-heavy set of rock tunes that emulate everything from power pop to the kind of classic rock they play on the AM band. Stylistically, this LP is all over the place, which is kind of surprising since the 7” EP I reviewed of theirs
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On their latest album, the Beastie Boys still sound like they’re at the top of their game–which is fantastic considering their age. There’s a kinetic energy between the three of them that’s difficult to explain. I know these guys aren’t for everybody, but there’s
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On their third album, Ponytail turns the noise down and pumps the musicianship up. While this album isn’t as harsh or mind-melting at 2008’s Ice Cream Spiritual, this new album–aptly titled Do Whatever You Want All the Time–shows the band letting their improvisational flags fly. These
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Every time a Kills album comes on, I feel a bunch of involuntary reflexes coming on: my eyes squint, my lips tighten, and my shoulders start to shrug. I’m just unsure of why this music should appeal to me. I could certainly see myself latching onto the noisy distortion,
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Download: Curren$y- Covert Coup via 2dopeboyz Admittedly, I slept on New Orleans rapper Curren$y last year when he released Pilot Talk one and two. His extremely laid back–some would say “blunted”–delivery on the mic was really leaving me underwhelmed. He’s got a new tape out,
