reviews

  • On the second track to drop from this collaboration between Kanye West and Jay-Z, we get an Otis Redding sample, an answer as to who invented swag, and a whole lotta hot air. Sure, Kanye West and Jay-Z are notorious for their bragging skills. But when they’re together, those

  • On its latest album, Zombi throws guitars and bass to the wayside, and brings the focus back to the duo’s foundation: drums and synths. It might just be the direction longtime fans wanted after the extremely rock-oriented Spirit Animal. WATCH THE REVIEW

  • Compton rapper Kendrick Lamar doesn’t follow the usual tough and hardened stereotypes that come with repping the California city. The guy isn’t a wimp, but he’s more interested in saying something thought-provoking than violent. Backed by some fantastic beats, that’s what every track on this new

  • Sonically, Valentin Stip has a lot in common with Nicolas Jaar’s latest album, Space Is Only Noise. But I’m not connecting or comparing these two for the sake of calling one a ripoff. I’d actually like to argue these two–and many other artists as well–are

  • On Wilco’s new single, the band shoots for something fun and light-hearted. While it’s not the most impactful thing the band has ever done, it is a sweet little introduction to the forthcoming album the Whole Love. If the entire LP sticks with this mood, we could be

  • Ulcerate’s latest album might not hit the spot for fans of the New Zealand group’s more hectic material, but it definitely resonated with me. The relentless drumming and dissonant guitar passages create an ugly atmosphere that’s ever-evolving. These guys display an extreme level of technical precision on