review
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Part-man/part-meme Oliver Tree continues to find common ground between pop rock, rap, and electropop.
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Immunity is at its best when Clairo manages to find power in simplicity and subtlety, which happens only some of the time.
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The Sailor is by turns impressive and disheveled in its combination of so many rap and pop music styles.
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Even though Cordae wears some of his contemporary influences on his sleeve, The Lost Boy is a solid and promising debut album.
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David Berman’s wryly depressive (or depressively wry) songwriting seems to have only gotten sharper during his decade away from music.
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Flamboyant is a distillment of what has made bubblegum bass so interesting over the past few years, as well as an apt commentary on gender politics.
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Benny is no doubt a capable rapper and lyricist, but he tends to be overshadowed by the guests on this new EP.
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Caligula is an even more incredible journey to hell than its predecessor.
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There are quite a few good ideas on Angel’s Pulse; unfortunately they aren’t fleshed out enough, nor do they reinforce one another.
