review
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Birth of Violence‘s stripped back presentation, despite its bewitchingly dark vibe, mostly exacerbates the relatively weak songwriting.
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Ameer Vann’s comeback EP is pretty bitter and one-dimensional.
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House of Sugar is sprinkled with some brilliant and beautiful ideas, but is on the whole marred by an unsatisfying flow, dodgy songwriting, and faint lead vocals.
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With their self-titled debut, The Highwomen prove themselves to be a versatile country supergroup with a unique perspective.
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Charli is a near-perfect balance of trusty pop formulas and PC Music experimentalism.
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I’m not disappointed. That’s for sure.
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Alex Cameron has a talent for writing witty and smart songs about love and masculinity from a male perspective.
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Many of the songs on Is He Real? are either too underdeveloped or lacking in a distinct voice to capitalize fully on the fundamentals and promising concept IDK brings to the table.
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EarthGang’s shortcomings become apparent when they tone the intensity down midway through Mirrorland.
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Post Malone loses focus on his sophomore album.
