review
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While Battles maintain their unique style of math rock on Juice B Crypts, the band sounds like a shadow of its former self.
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A quick review of the new Guerilla Toss EP—it’s good!
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With Sonic Citadel, the two Brians successfully take Lightning Bolt’s sound in a more melodic and accessible direction.
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Ana Frango Elétrico’s authentically vintage fusion of chamber pop, rock, samba, and jazz is a real blast!
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Big Thief’s second album of 2019 takes the band’s sound back to basics, which is far from a bad thing.
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Richard Dawson outdoes himself with this modernist spiritual successor to 2017’s Peasant.
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By virtue of its moving vocal performances and lyricism, Ghosteen is among Nick Cave’s finest statements—even if its sound design often leaves something to be desired.
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A quick review of the new Kero Kero Bonito EP—it’s good!
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Some of Angel Olsen’s unique personality traits as a singer-songwriter sadly get lost in All Mirrors‘ grander instrumental palette.
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Sturgill Simpson’s rock experimentation on Sound & Fury sometimes goes over well; other times it goes awfully awry.
