review
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No Future runs like a compilation of alt-R&B and indietronic cliches.
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While often pretty and groovy, Makaya McCraven’s reimagining of Gil Scott-Heron’s swansong tends to drain the suspense and emotional potency out of its source material.
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The Slow Rush‘s deep cuts don’t deliver on the promise of its introspective and infectious lead singles.
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HMLTD refreshes and recontextualizes a slew of post-punk sounds on West of Eden.
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Likewise‘s plain instrumental palette doesn’t do much to complement Frances Quinlan’s unique voice.
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Nicolas Jaar’s second outing as A.A.L. is a bit more far-out than the first, and about as fantastic.
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Unlocked is essentially a glitch in the matrix in hip hop form, and that’s a great thing.
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Green Day tries to be the final nail in rock music’s coffin with Father of All…
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While not as cohesive as Squarepusher’s seminal works, Be Up a Hello is his most solid work in at least a decade.
