review
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Yola’s stunning writing and performances easily make up for Stand for Myself‘s general lack of novelty.
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King’s Disease II capitalizes on all the potential of its predecessor.
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Another enjoyable creative detour from Laura Marling and Mike Lindsay.
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While many of Billie and Finneas’ strengths remain intact, Happier Than Ever is a much less cohesive listen than When We All Fall Asleep.
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Saturday Night doesn’t sound quite as methodical as Jack’s work for other artists.
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The House Is Burning, for the most part, is about as engaging as a lackadaisical buzz.
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As a comeback project of sorts, Bobby Tarantino III isn’t particularly auspicious.
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On his solo debut, Alexis Marshall takes the unremitting darkness of his work with Daughters in a dronier direction.
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Nicolas Jaar and Dave Harrington break their hiatus with a sound that’s a bit more rockin’.
