review
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There’s still room for Saba to grow as a distinctive artist, but Few Good Things is a promising step forward.
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The narrative of Glitch Princess sometimes trumps its music, though there are several beautiful highlights on that front too.
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Apart from a fair share of lyrical highlights, Laurel Hell doesn’t do much to write home about with its strains of pop music.
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For the first time definitely wasn’t a fluke.
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AnCo’s first album as a quartet in nearly a decade is a mostly lovely return to form.
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Ustalost delivers black metal thrills with an oddly nostalgic atmosphere on this latest album.
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What Marchita has in concision it also has in beauty and emotional potency.
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Krallice’s most ambitious record since Years Past Matter.
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A pretty lovely and promising debut for the pop singer-songwriter.
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The Gods We Can Touch is certainly a listenable pop album, but its eccentricities mostly amount to window dressing.
