review
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While just as well-produced as Modus vivendi and a bit denser, You Can’t Kill Me carries over the structural shortcomings.
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Hot on the heels of a pretty inspired EP with Gesaffelstein, KayCyy’s new tape is disappointingly derivative.
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Post’s candor is overshadowed by just how bad this album sounds.
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Angel leaning more into a country sound goes over well, unsurprisingly. Big Time by Angel Olsen
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It’s rare that a comeback rocks this hard. The Loser by Gospel
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Real Bad Boldy is sounding more robust.
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Un Verano‘s size doesn’t do it many favors, but it is Bad Bunny’s most versatile project so far.
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A more focused effort than Rook’s previous solo drop, plus an equally intense companion of sorts to Black Dresses’ recent Forget Your Own Face. UGLY DEATH NO REDEMPTION ANGEL CURSE I LOVE YOU by Ada Rook
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The band’s AI-aided 6th album is their most conceptual project to date, as well as their best since Get to Heaven. Raw Data Feel by Everything Everything
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Not as creative as the producer’s 2019 mixtape, but not a bad effort either.
