review
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Colin Stetson manages to pull new sounds and rhythms out of his sax on All This I Do for Glory.
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2017 keeps the strong singer/songwriter releases coming with Feist’s Pleasure.
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Humanz has its share of strong performances and musical highlights, but all too often its guests are misplaced or poorly utilized and the songwriting/production just isn’t up to the Gorillaz standard.
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Melbourne’s Smith Street Band have a lot going for them with their emo-tinged pop punk sound and passionate frontman Wil Wagner, but are let down by some familiar production, basic song structures, and cringeworthy lyrics on their latest album.
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17 years after his landmark album Pop, ambient music producer Wolfgang Voigt has finally given us the night to that album’s day… and I really wish he didn’t.
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Sincerely, Future Pollution finds Timber Timbre taking their sound in a more synthetic direction without conjuring the mood that made their past couple of albums so alluring.
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While not a full commitment to its titular concept, 50 Song Memoir is The Magnetic Fields’ most charming and ambitious album in over a decade.
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DAMN. is one of Kendrick’s most intriguing releases yet, delivering a series of tracks that are chaotic, layered, and deeply conflicted.
