review
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Post-grunge veterans Foo Fighters drop a raw but spotty album with Concrete and Gold.
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Myrkur’s sophomore album still leaves something to be desired on the songwriting front, but is nevertheless a much better-developed product than her debut.
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Brick Body Kids is Open Mike Eagle at his most low-key, but it’s also his most cohesive and emotionally potent work so far.
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Toronto R&B artist Daniel Caesar shows much songwriting potential on his debut album.
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The retrospective Dedicated to Bobby Jameson finds Ariel Pink going back to his old musical stomping grounds and crafting some of his best songs yet.
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Lil Dicky’s Brain alter ego has put out an EP that’s ironically brainless and very NOT GOOD.
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Sleep Well Beast is The National’s most vibrant and engaging set of songs in years.
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Pharma is Nmesh’s most hard-hitting and ambitious project to date.
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On his sophomore album, Sydney singer/songwriter Alex Cameron consistently delivers catchy hooks and hilarious lyrics while channeling a soft rock aesthetic.
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Formerly known as Spooky Black, Corbin returns with a goth-tinged and minimal set of moody R&B tracks.