review
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A buffet of shit: Justin Timberlake’s new album is most likely the most horrendous cross-section of contemporary sounds you’re going to hear this year.
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A quick, raw review of one of Guwop’s most cold-blooded projects in a long time.
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Sometimes cumbersome but mostly exciting, Ty Segall’s latest album is his longest and most ambitious yet.
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Overloaded and underwritten, Migos’ sequel to Culture says more about the trio’s business model than it does the artform.
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Anthony makes a remarkably timely return to the final version of Kanye West’s experimental opus, The Life of Pablo.
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Mania is one of the worst instances in the recent trend of mainstream rock bands trying to write EDM albums.
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EDEN’s debut album should appeal to fans of the James Blake strand of alternative R&B, but it’s not really doing much for me.
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Apart from a few bright spots, I can feel you creep contains Tune-Yards’ most uninteresting and obnoxious material to date.
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Though a few missteps keep Ruins from being First Aid Kit’s best album, it’s still packed with well-written, well-performed, and well-produced folk pop songs.
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Veteran is sure to be one of the most in-your-face, off-the-wall and creative rap projects of 2018.