review
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At nearly 50 years old as a band, Judas Priest has just released not only a late career highlight, but one of the greatest heavy metal albums of the decade.
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Cocoa Sugar is one of Young Fathers’ milder releases.
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X makes some improvements on the mixing, singing, and songwriting fronts with ?, but the album is still a mixed bag consisting mainly of half-baked song ideas.
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As you might’ve gleaned from its title, Pop Music finds Remo Drive taking their sound in a poppier direction. The results are decent but brief.
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Natalia Lafourcade and Los Macorinos explore the wide world of Latin American folk music with a generous tracklist of quality originals and creative revisions on Musas Vol. 2.
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While not quite the grand artistic and social statement it was intended to be, American Utopia is brimming with forward-thinking pop and David Byrne’s unique persona.
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Lil Yachty makes a return to form with Lil Boat 2.
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Despite the bouncy production, good feature spots, and Logic’s technical ability, Bobby Tarantino II is just as inconsequential as its predecessor.
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Dead Magic is Swedish singer-songwriter and organist Anna von Hausswolff’s best work to date.
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Though there are a few strokes of genius on A Productive Cough, too often Titus Andronicus relies simply on the novelty of mimicking a bar band to sell the album.
